classic, on music on vinyl

this is the third of the black dogs liber series of releases that are purely aimed at the dance floor. it follows the previous, well received liber kult & liber temple 12s, these singles all lead to liber dogma, due on soma in october, and further chapters. high rise choir reprise opens with clattering percussion taken straight from recordings at forgemasters before a face-ripping gut-wrenching bassline cuts through with one of the black dogs strongest minimal grooves yet. built to move heads and feet, the hypnotic groove hooks you instantly while the haunting strings bring the emotion in massive dark waves, you cant help but fall into this track. beautifully simple, addictive and massive. dissident bleep is just that. over the years the myth that sheffield is all about bleep and bass has gathered ground but those who live here know its all about the bass. industrial repetition gives way to twisted vocal samples of >over, over<, a sure-fire nod to cabaret voltaire, before the kicks and filters pummel you.

after the darkness of rabid dogs ep black sunday recordings now brings you a new summer-ish release by rotterdam based producer the eerier child. heavenly creatures ep starts off with the soothing downtempo track rec, exploring the depths of your subwoofer with a kick-ass kickdrum. the melancholic sounds of into the sun (vip mix) are familiar to those who have been listening to the cd album >frequencies of the mind<. this album was released in may 2009 featuring various artists. now the track has been re-mixed and re-mastered especially for this 12inch release. thunderball will lure you into deeper realms with a triggering wobble that will boil up your engine. the fourth track deep red is drenched in gloominess, with laidback grooves and smooth synth lines. with day the adventure slowly becomes dim as you enjoy the sun setting down, entering the beginning of a new dark night

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

gravitating into the nang tractor-beam next is a brand new artist, no logo. for big dogs pete gooding and steve miller to consider us for putting out their eclectic project is an honour indeed. ibiza and london based pete gooding is a dj tour-de-force and his pairing with one of chill outs leading lights steve miller (afterlife, lux, northern lights etc) was always gonna be an interesting one. the dancefloor acumen of pete with the downtempo-grooves and all around musicality from steve.

deluxe collectors edition box set!

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

seven 7inches in seven months - hamburg s pingipung label surprises fans and music lovers with a vinyl series called summer of seven. from april to october 2011 one single each month will bring on the longest summer hamburg has ever seen. featuring fresh, unreleased, single-quality tracks by the pingipung artists springintgut, peter presto, hey, aj holmes, goto80, iso68, and james dina4. the artwork comes from c.i.alex (golden pudel club hamburg). each release is strictly limited to 200 copies! two straight bouncers from andi otto aka springintgut open the series. after touring through india last winter, he brought home some antique vinyl records with south indian string music. these have been micro-sampled for the tracks, overdubbed with his own cello playing and a drum machine. two odes to the animals in bangalore, the eagles above, and the dogs underneath.

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

more punk rock mayhem on purple marbled vinyl, limited to 350 copies!
hoping to fan the flames of heartfelt rebel rock, burning streets emerge from the scene that has produced some of the worlds most timeless punk rock anthems and that has given us dropkick murphys, far from finished and the street dogs. - ....boston.., ..ma.....
the already impressive lineup of i hate people bands only gets better with this release. rife with s..oli..d hooks, booming anthems and a sense of vigor that cant be quantified, burning streets have crafted an impressive debut with is it in black and white?. grab it for a road trip or blast it through a boombox, its good ....boston.... punk no matter where it takes you.

theres movement in the formatik dog pen. the two format : b alpha dogs recently introduced their latest techno puppies with combined, and now theyre showing their teeth again. when dogs meet they dont just lick each others ears but also put on a silver dog tag. seeing as the three legged four leggers jakob and franziskus arent that happy being alone and are often seen dancing over the dog grounds wagging their tales they have decided to share their bowl with sebastien leger, the french production bulldog who always has a couple of remix scooby-snacks lying around somewhere. that is why they have given him one of their dog tags and have mutually decided that legers own dog club mistakes music will be going walkies with formatik on a regular basis. only the lady and the tramp is more romantic than that.

mike simonetti of italians do it better and perseo fame going wild on the edit-front. hot stuff!

2005 release by neil landstrumm and tobias schmidt.

roman rauchs debut ep on viennas up and coming label tjumy records, already played and supported by dirt crew, m.path.iq, mikeburns, muallem, pat heart, peter kruder, chez damier, raoul belmans, reade truth, till von sein, michael rütten, simbad, matt flores, session victim, lefto, catz n dogs, johannes lehner and myny more!

meet desto. we found him wandering the streets of helsinki, eating canned tuna and drinking the water from a tin of hot dogs, desperately clutching armfuls of sticky future garage. starting off in spacey 2step rhythms, falling over bassline, and breaking down into an euphoric 8 bit cascade, the epic >disappearing reappearing ink< finally reaches wax after being in the boxes of pretty much everybody all year. on the flip, >broken memory< was given its first exclusive airing by oneman on radio 1 to much acclaim, and takes more of a straight up approach, and retains all of the fluid c64 chiptune beauty.
dj support from rob da bank, oneman, brackles, sinden, floating points, clouds, mary anne hobbs.

big with: catz n dogs, margaret dygas, the mole, serge (clone), daniel bell, mark e, ian pooley, andrew grant ..

with releases on klickhaus, kiddaz.fm, toratoratora and his own label lazerslut you have to believe miro pajic is superstar in disguise. now miro appears on he 10th release for 9volt-musik! a triple trouble shot of drifting patterns and static charges. definitely a bomb!

danish synth-rock band turboweekends first release in the uk is an atmospheric yet heartfelt cry of regret on the a-side and a jumpy celebration of the end of work obligations (with an ironic twist) on the b-side, featuring the royal company of bristols finest, joker, and indie prince russell lissack from bloc party.
- i am tipping them for very, very big things here in uk. the lead singers voice is amazing.(?)this is huge. -mista jam (live on bbc1 and 1 extra)
- natty danes turboweekends angsty single >trouble is< is like one republics >apologize< as seen through the bass lens of blank dogs (?) its an excursion into the dark crevices of your feelings, but dont even try and tell us youre not at least a little emo. ? the fader.com (julianne shepherd)
- wow. most remixes dont do justice to the original song, but this is from another world. this bass heavy remix is the reason i love british music. ? man movement.com (lsr)

barely recovered from his summer monster edit on mindless boogie ( why dont you dub), rove dogs is now introducing his new project with jeff lasson: get a room! from cosmo vitelli to disco bloodbath, all the disco not disco specialists gave an early support to this french duo: “ in a crate full of so many average edits, the get a room! dynamic duo create mini masterpieces...” trevor jackson

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

big with mathias kaden, steve bug, nick curly, ekkohaus, catz n dogs jimpster, brother s vibe, agnès, jam wing, sven tasnadi, d julz, simon baker, kabale & liebe, claude von stroke, lauhaus, karotte

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

early support from: anja schneider, catz n dogs, gorge, nick curly, gruber & nürnberg, sebo k, steve lawler, ilario alicante, lauhaus, johnny d,anthony collins, kabale & liebe, marc romboy, jimpster .. after his mezcallina ep on mobilee records the poland producer marcin czubala is ready to bring us into the right mood for summer with his first ep on 8bit records. nice vocals and a relaxed groove paired with warm chords

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

richard sen (padded cell / bronx dogs) & cazbee (legendary graffiti artist) present a trio of new leftfield edits, suitable for the more open minded disco dancefloors. on the a side playback, is a fashionable midtempo euro funk groover. on the flip mad high is an uptempo string stabbed dancefloor destroyer. finally b2 schizo is our favourite out of the 3 is reminiscent of nu groove and early house. the original newave track is a chicago underground classic. the two recent mbc releases have seen support from dj harvey, andrew weatherall, prins thomas, idjut boys, cosmo vitelli, optimo, cherrystones, tim paris, moxie edits crew & dc recordings soundsystem

sampler release extract from the forthcoming compilation from because and edbanger, introducing the nouvelle garde from the edbanger sound... all new talents that the famous label itself consider as their legitimate offsprings... over the past two years, other young producers eager to transcend the genres have been working in the shadows, preparing a new electronic revolution. who are they, and what does todays music sound like? thats what the dum-edges project is attempting to uncover, with a compilation and a live tour.

recording as lord cut-glass, alun woodward, formerly of the delgados, releases his first album since the delgados? ?universal audio? in 2004. extraordinarily ambitious, ?lord cut glass? was written, arranged and in large part performed by woodward, recalling the orchestral grandeur of his former band whilst forging a style of acerbic, sardonic songwriting all of his own. lord cut glass features galloping percussion, waltzes, marches and promenades of male and female harmony: delicate and serene creations punctuated by casual profanity and shot through with brazenly hilarious words-to-the-wise.

incl remixes by gorge (8bit), catz n dogs (mothership) and dimitri andreas (music man)... support by: luciano, audiofly, paul woolford, laurent garnier, monika kruse, sebo k, ben watt, tiefschwarz, nick warren, jimpster, joris voorn, adam beyer, 2000 and one, sasha, marco carola, tobi neumann, dennis ferrer, james lavelle, agoria, milton jackson and hopefully you!

joint venture with the famous gomma recordings outta germany, including massive remixes from the likes of database, krmpck, rove dogs, and golden bug themself... great release for any fans of weirdo disco!!

nrk - sampler 3 kicks of with the track most people associate with dj sneak, >you cant hide from your bud<, one of the records that broke the whole filtered disco thang. blue boys >sandman<. taking a riff and pitched up vocal from the undisputed truth, many will perhaps have forgotten this gem, but is ripe for revival now! side two offers up the fantastic >shake it for me< from uk producer dj d brining up the rear, studio 45s >i like the sound< was a hit on azuli in 1999. pure mirrorball dancefloor stuff. sneak essentials

dj misjah released this 4-tracker in 1998 on his own x-trax imprint. high quality techno, as always from misjah.

with releases on klickhaus, kiddaz.fm, toratoratora and his own label lazerslut you have to believe miro pajic is superstar in disguise. now miro appears on he 10th release for 9volt-musik! a triple trouble shot of drifting patterns and static charges. definitely a bomb

new and exciting label from our friends north of the border, aimed squarely at the dancefloor autodiscotheque kick off their demonstration only series of cut up dancefloor grooves with two killer edits from richard sen (padded cell/bronx dogs) and legendary grafitti artist cazbee. first up is a fresh rework of the bass driven disco glitch of kat mandus i wanna dance reconstructed here as cat dance. on the flip, the chunky disco funk of dennis deans i feel it is transformed into the irresistible proto house groove of lifetie. cut and pasted for the elegantly wasted, this is sophisticated and decidedly filthy 21st century club music !

incl tracks by edit, paul birken, tsr and hroove asylum, track b2 taken from dont 001

sandy warez dj ogi dogs on crack vs katz on k hardtrax vs mike drama ... do we really have to say any more?? banging

thank you have played with the likes of beach house, dan deacon, daniel higgs, celebration, wzt hearts and ponytail. thank you is an athletic rhythm/action unit, made up of jeffrey mcgrath, michael bouyoucas and elke wardlaw. michael was a member of the baltimore band more dogs who released an album on monitor records. the members of thank you are longtime friends and musical collaborators, working hard to bring to life their wholly original compositions. musical ideas are introduced and have conversations with one another, each track filled with new articulation and insight. the basics of drums, organ, and guitar build the foundation, but are augmented by whistles, cowbell, hobo harmonica, snappy loops, car horns, and whatever else might be at hand. the album terrible two was engineered by j. robbins (yeasayer, mary timony, jets to brazil) in baltimore and was produced and mixed by chris coady (tv on the radio, yeah yeah yeahs, celebration) in new york city.

the legendary hard knock life longplayer!!! feat memphis bleek, da ranjahz, big jaz, dmx, amil & ja rule, foxy brown, the lox beanie siegel & sauce money, kid capri and jermaine dupri

huuge funky green dogs remake. includes zoo brasil and redroche mixes. not to be missed!!

erwartungsgemäß tolles album !!

first part of the miami 2008 wmc sampler!! includes tracks by chris lake & sebastien leger, marc leaf & drew scott, funky green dogs and jens mangold. a must have

sure, we all know the original funky green dogs rendition of fired up well. now its the turn of denis the menace & big world to drag the track kicking and screaming into the 21st century! already in the playlist of the swedish house mafia (steve angello, axwell, sebastian ingrosso, john dahlbäck)

kitsune season compilation returns, the fifth of its kind and still homemade and gold wrapped. on board this time there are young girls, sea dogs, californian twins, young wolves and loonies. a wonderful mess, a spontaneous shamble that screams out loud. all of this because of gold rush fever.

great music just keeps on flowing outta sweden! sure, we all know the original funky green dogs rendition of fired up well. now its the turn of denis the menace & big world to drag the track kicking and screaming into the 21st century! ltd. one sided pressing which is already in the playlist of the swedish house mafia (steve angello, axwell, sebastian ingrosso, john dahlbäck)

fresh digital dogs mixes of the 90s club classic

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it